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Don’t Wait Until the Movie Is Finished to Find an Audience

Filmmakers routinely spend years making a movie and several weeks thinking about who will watch it. Reverse that.

D
Dr. Xavier "X" Mitchell
October 14, 20261 min read
Don’t Wait Until the Movie Is Finished to Find an Audience

Filmmakers obsess over production.

Which camera?

Which lens?

Which location?

Who plays the lead?

What does the poster look like?

Then the film is nearly finished and someone asks:

Who is the audience?

Silence.

Marketing should not begin when the trailer is finished.

Audience strategy should begin while the project is being developed.

I'm not saying the internet should vote on your screenplay.

I'm saying you should understand who might care about the story.

What communities naturally connect to the subject?

What organizations?

What cultural groups?

What fan communities?

What podcasts?

What publications?

What creators?

What locations?

What brands?

What conversations are already happening that relate to the film?

Start building relationships early.

If you're producing a basketball documentary, the basketball community shouldn't discover your film three weeks before release.

If you're making a horror movie, you should already know where horror audiences gather.

If your documentary concerns a social issue, organizations working on that issue should know the project exists.

Audience building doesn't have to mean shouting:

“COMING SOON!”

for eighteen months.

Document the process.

Introduce the people.

Discuss the subject.

Share discoveries.

Show behind-the-scenes decisions.

Let audiences feel like they found the film before everybody else.

This also creates information.

Which characters generate responses?

Which images get shared?

Which story angles connect?

Which communities lean in?

That data can improve your eventual campaign.

One philosophy I believe strongly in is that marketing should not be treated as something done to the movie after production.

Marketing should grow alongside the movie.

The earlier you develop an audience relationship, the less dependent you become on one expensive advertising campaign at the end.

You aren't just making content.

You're creating anticipation.

Film Faster Question: If your film premiered tomorrow, where would the first 1,000 genuinely interested viewers come from?

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About the Author

Dr. Xavier "X" Mitchell

Dr. Xavier "X" Mitchell is the founder of Providence Film Group and the CEO of Valiant Eagle, Inc. (OTC: PSRU). Film Faster is a Providence Film Group platform. He began in the creative side of the business — writing for television and film, directing and shooting music videos, and producing concerts for emerging artists. He founded Providence Film Group to take on larger film and television projects, and has since overseen productions including The Knock and Ambush Karaoke, alongside international partnerships and financing structures for independent features. That work expanded into a group of entertainment companies under Valiant Eagle, spanning film and television, publishing, gaming, digital television and a record label. The through-line is the same problem in different forms: how a project gets financed, made, seen and paid for. He writes here about what he has actually had to figure out — packaging, financing, distribution, audience, and the professional habits that determine whether a filmmaker gets asked back. The perspective is a producer's and an operator's rather than a critic's. A U.S. Army Desert Storm veteran, he founded San Diego Community Assist and has run it for more than thirty years.

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